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Frozen Legends Forest Rogers

August 25, 2021

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Mythological images of the master.

Forest Rogers was born in 1961 into a creative family of artists. The sculptor recalls how, as a child, her mother drew paper dolls-trolls, nymphs and alien creatures for her. The girl grew up in a creative environment full of muses and fabulous secrets.

Talking about his grandmother's house “which looked like a time machine,” Forest recalls that his favorite attraction was a bookcase filled with volumes of illustrations by Rackham, Nielsen, and Dulac.

“I sat on the floor for hours and studied these books. It seems to me that now I am turning to the Universe in search of my ideas, just as I was then looking for treasures in this house. "

Baba Yaga and Vasilisa

Rogers studied Stage and Costume Design at Carnegie Mellon University in Pittsburgh.

The most exciting project that my mother and I worked on was painting the dome of the Russian Orthodox Resurrection Cathedral in Wilkes Barre, Pennsylvania. They painted a clear domed field - 60 feet across. Mom prepared sketches, I painted the faces of the Virgin and the Angels

Yuki Onna

The path to the current mythological work has turned out to be difficult.

During her studies, Forest worked with paleontologists at the Carnegie Museum of Natural History. For 25 years, she has been creating dinosaur sculptures. Later, a variety of commercial projects were added: squid-shaped erasers, silver napkin rings decorated with parrots, whale models for the aquarium, and many others.

Subsequently, Rogers, having studied the work of other sculptors and puppet masters, mastered the mixed technique. The author's favorite material is polymer clay.

Octopus

Nymph

When you look at the artist's work, you get the feeling that they are emitting an inner glow. The same effect comes from the sculptures of the Renaissance, and Antique times. The stone seemed to glow from the inside with a warm light.

The artist shares his thoughts:

“Being engaged in creativity, I realize:“ This is Love ”.

“We take risks creating our works and putting them on display. Thus, we become vulnerable. We can suffer from an awkward look, someone else's, personal opinion. We throw ourselves into this abyss again and again because it is important, because we cannot live without it ”.

“To do our job well and freely, we must be willing to look stupid by reaching out, risking a slap in the face in return. We put our beating heart on a plate and say, "Look!"

“Art going into the world is a dance for two. The author and the viewer unite, for a moment, in the language of a concrete thought. You are not alone, because the viewer reflects the echo of your ideas and images ”.

“Art can penetrate external barriers and speak directly to human consciousness. It can penetrate at a very deep level, bypassing the separation (even a hundred years old) and reminding us of our common Life. "

“For me, art is a rejection of the closed self for the sake of something more. I strive to make myself a transparent lens for Idea. This is especially true for stories based on myth or legend. When I let them “speak,” they become mine, passed through my soul.

This is the paradox: the more faithful you are to your unique vision, the more likely you are to be understood by others. "

Sea Horse

“Love looks not with the eyes, but with the mind,” writes Shakespeare. It is the same with the creation and perception of art. It intertwines with our memories, our pain, personal and global history, with hopes, goals and the earliest ideas about the world. "